Okashi Kaigyo Lab: a 13-tsubo cake shop booked ¥27,073,172 in year three and published every monthly sales figure to the yen
The cake shop behind the Japanese blog Okashi Kaigyo Lab booked ¥21,730,380 in its second year and ¥27,073,172 in its third. From 24 months of published sales figures, a 13-tsubo shop run by a couple on ¥60,000 rent shows how 45% cost of goods still leaves a margin.
How did a cake shop run by a husband and wife grow sales like this? Are they cutting costs to the bone?
The answer turned out to be outside the kitchen.
- Twenty-four months of sales, set against the same month a year earlier
- Why year three's growth came from customer count more than average spend
- Why December is the sales peak but not the profit peak
- The first Christmas with 400 cakes made and 200 left, and what changed the next year
- The ¥60,000 lease that lets a 45% cost ratio still leave profit
A small Japanese cake shop has published 24 months of sales, down to the yen.
The blog Okashi Kaigyo Lab shows ¥21,730,380 in annual revenue for the second year of trading and ¥27,073,172 for the third.
The author goes by Marron. He finished a confectionery school, trained at four shops, and opened a 13-tsubo store at 32.
He and his wife split production and the counter between them. The business is takeout-led, and this is year nine.
The instinct is to credit disciplined cost control.
Yet the cost ratio he publishes elsewhere runs to 45% in practice: 35% for ingredients plus 10% for packaging. That’s fifteen points above the “30% for a cake shop” figure the trade repeats.
Rearrange the numbers and the profit here is being decided in the lease, not in the kitchen.
What do 24 months, recorded to the yen, show?
Setting his two published years side by side against the same months gives this.
| Month | Year 2 | Year 3 | Change |
|---|---|---|---|
| January | ¥1,306,600 | ¥1,684,700 | +¥378,100 |
| February | ¥1,598,340 | ¥1,644,870 | +¥46,530 |
| March | ¥2,094,600 | ¥2,539,340 | +¥444,740 |
| April | ¥1,460,740 | ¥1,976,570 | +¥515,830 |
| May | ¥1,611,400 | ¥2,300,820 | +¥689,420 |
| June | ¥1,546,110 | ¥2,154,850 | +¥608,740 |
| July | ¥1,509,980 | ¥2,145,590 | +¥635,610 |
| August | ¥1,675,890 | ¥1,589,392 | -¥86,498 |
| September | ¥1,877,580 | ¥2,166,530 | +¥288,950 |
| October | ¥1,923,800 | ¥2,699,440 | +¥775,640 |
| November | ¥2,291,100 | ¥2,602,500 | +¥311,400 |
| December | ¥2,834,240 | ¥3,568,570 | +¥734,330 |
| Total | ¥21,730,380 | ¥27,073,172 | +¥5,342,792 |
Only August fell below the prior year. In that one month, customer count dropped 13.6%, from 955 to 825.
Average spend rose from ¥1,754 to ¥1,926, which held the shortfall to ¥86,498.
Fresh cake stops moving in summer, yet average spend jumps to the second-highest level of the year. That tells you the reason people come has shifted toward gifts.
The growth breaks down too. Revenue rose 24.6%, customer count rose 17.7% from 12,358 to 14,540, and the annual average spend rose only 5.9%, from ¥1,758 to ¥1,862.
Marron lists “average spend rises year by year” as the third of his five rules.
But most of the year-three increase didn’t come from the ticket. It came from the number of people who walked in.
His sense that regulars accumulated shows up in the count, not the ticket.
“December decides the year” turns out to be 1.67x
Marron calls December the peak of the year and describes it as close to double a normal month.
Our reading differs.
December of year three was ¥3,568,570 against an average of ¥2,136,782 for January through November, a ratio of 1.67. Year two lands at 1.65, the same ratio twice over.
December accounts for 13.2% of annual revenue, so ordinary months are carrying the other 87%.
What matters more than the multiple is his own note that December isn’t the profit peak.
Christmas loads up on cream, strawberries, decorations and dedicated boxes, then adds short-term staff wages and waste risk.
March, by contrast, sells baked goods for graduations and farewells. They keep longer, waste less and cost less to make.
Top line peaks in December and profit lands in March, he writes.
The tallest month on the sales table drops to second place on the income statement.
Four hundred cakes made, two hundred left over
The number worth remembering here isn’t the annual revenue. It’s the count of cakes thrown away.
In his first Christmas he prepared roughly 400 Christmas cakes and sold about 200.
He made that many because he was afraid of turning customers away.
The reason they didn’t sell is plain. A shop that has just opened isn’t known in its area, so nobody wanders in on the day.
- Year one: about 400 cakes
He overbuilt out of fear of turning people away, and about 200 sold.
- Reservations open at the end of October
That firm number anchors the production plan.
- Year two: about 250 cakes
He cut 150 units and changed exactly one thing: build to confirmed reservations, then add a little.
From December 23 onward, when finishing begins, he slept one hour a night in years one and two.
As a fix it looks unremarkable.
What actually happened was a design change that moved inventory risk from forecasting to booking.
He paid for the premise that walk-in sales don’t work until recognition exists, and the price was that first year of waste.
The economics were decided by a ¥60,000 lease
Marron gives two reasons a 45% cost ratio still leaves roughly 35% margin: rent runs about 2.5% of sales, and advertising spend is zero.
The property is a 13-tsubo shell unit near a rural station, a former office, at ¥60,000 a month with ¥360,000 in acquisition costs.
Against average monthly sales of ¥2,256,098 the rent ratio is 2.66%. That’s under a third of the 10 to 15% the trade treats as the benchmark.
His opening business plan assumed ¥30,000 a day across 25 days, or ¥750,000 a month. Even against that plan the ratio was 8%.
He looked at a vacated convenience store with excellent frontage and walked away. Its ¥200,000 rent and over ¥1,000,000 in acquisition costs would have put the ratio at 26% of projected sales.
The lease, not the cost ratio, is what decided the economics of this shop.
He can afford not to skimp on ingredients, and he could absorb inflation pushing his cost ratio from 31% to 35%, because the fixed costs were crushed first.
One year he raised prices across the existing range by 30%. Customer count fell that year while profit rose, and the following year customers came back.
The tolerance to raise prices at all comes out of that low fixed base.
The ¥10.16M he spent opening the shop fits the same design. Keeping property acquisition to ¥360,000 left the rest for equipment and working capital.
Zero ad spend, and just one story a day
Customer acquisition is Instagram and nothing else, and the account passed 10,000 followers.
The operating pattern runs against the advice to post more.
- One Instagram story a day, showing what's in the display case that day
- Feed posts only when a new item launches, roughly every two weeks, plus a monthly notice of closing days
- A Christmas production plan built to reservations plus a little
- Making roughly 400 cakes to a forecast in the first Christmas (about 200 sold)
- Counting on walk-in customers before the shop was known in its area
He doesn’t post repeatedly in a day because, in his words, it’s annoying.
Stories work here because the product changes daily.
Showing every morning what’s available today is closer to publishing inventory than to advertising.
The 24-hour lifespan of the format matches the shelf life of fresh cake that has to sell that same day.
The area is crowded: two other independent cake shops, a Japanese confectionery, and a large chain.
He gives three reasons for lasting nine years. He ran the social account from the build-out period (with under 100 followers at the time), he swapped the lineup based on what customers asked for, and he handed the counter to his wife and stayed in the kitchen.
The ¥60,000 rent rests on terms with no key money and no deposit
Set beside other Japanese brick-and-mortar cases, this shop’s ¥2,256,098 a month sits at the top end.
What makes the difference is less the size of sales than the ratio of rent to sales.
That ¥60,000 rent rests on a rural station-front location and on individual terms from a landlord who waived both key money and a deposit.
Reproducing the ratio in a city is a different problem.
The 4am starts, 14-hour days and four hours of sleep sit directly behind the 35% margin.
What's disclosed stops at sales, customer counts, average spend and approximate cost and profit ratios. Actual labour and utility costs, along with first-year revenue, aren't published. The figure of a personal income in the ¥10M range is self-reported, with no third-party verification.
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Sources
- Founder 「おかし屋開業ラボ」店主マロン氏の記事(2026年6月2日公開・7月18日更新)。開業2年目と3年目の月別売上・客数・客単価を1円単位の表で掲載。年商約2,173万円→約2,707万円、利益率35%前後、年収1,000万円台、キャッシュレス比率6割
- Founder 同ブログの全記事まとめ(2026年8月9日公開)。開業費1,016万円、原価率実質45%、13坪・夫婦2人・開業9年目、朝4時起き14時間労働、Instagramフォロワー1万人超という前提条件の一覧
- Founder 同ブログ「お菓子屋のクリスマス商戦」(2026年8月9日公開)。1年目に400台作って200台しか売れず廃棄した経緯、2年目は250台に絞った判断、12月は売上1位でも利益1位ではないという内訳
- Founder 同ブログ「お菓子屋の原価率は本当に35%?」(2026年6月14日公開・7月18日更新)。材料35%+包材10%=実質45%、家賃は売上の約2.5%、広告宣伝費ゼロ、原価率31%→35%への上昇、既存商品を30%値上げした結果
- Founder 同ブログの物件選びガイド(2026年5月20日公開・7月18日更新)。家賃6万円・13坪・物件取得費36万円・スケルトン(元事務所)・田舎の駅近・駐車場3台、事業計画は1日3万円×25日=月75万円、周辺の競合構成
- Founder 同ブログのSNS集客記事(2026年6月20日公開・7月18日更新)。ストーリーズは毎日、フィード投稿は2週間に1回、お知らせは月1回という運用頻度と、投稿を増やさない理由